|Time & Place|
|Saturday, November 5, 2011 @ 7:00 pm
4100 Virginia Beach Blvd.
Virginia Beach, VA 23452
|Seniors, Military & Students w/ID||$13|
|Children 7–17 w/paying adult||1/2 price|
|Children under 7||free|
The Jim Hurst Guitar Workshop is set for the afternoon before the concert. Workshop attendees receive a $10 discount on concert admission.
Multi-award winning guitarist in Bluegrass, as well as contest winnings in Country, Bluegrass, and other acoustic music genres, Jim is known throughout the Nashville, TN area as one of the best in the business. His talents of singing, multi-instrumentalist abilities and well-rounded stylings have garnered him support positions and recording sessions with some of the best artists in Country and Bluegrass music. Trisha Yearwood, Sara Evans, Holly Dunn, Claire Lynch, Travis Tritt, John Cowan, Mark Schatz, Tim O'Brien and more.
Jim is more and more becoming known as an artist in his own right, recording and releasing his first CD "Open Window in 1998. Then teaming up with duet partner, award winning bassist Missy Raines, recorded and released two CDs. 2002 saw the release of Jim's second solo CD, "Second Son" to rave reviews and Bluegrass chart action.
Jim's most recent recording "A Box of Chocolates" — 2007 is the newest CD from the musical mind of Jim Hurst. Always looking for the new inspiration, Jim is currently working of his next recording. Jim has a multi-faceted approach to music and performance. His singing, guitar work, songwriting and live performances can entertain with calm sincerity as well as high-energy and magician-like accomplishment. November, 01 2007 -- David Baxter - No Depression Magazine
A multiple-IBMA award winner and long time member of Claire Lynch's touring band, Jim Hurst is one of the most versatile acoustic guitar players on the contemporary bluegrass circuit. Hurst augments his flatpicking with hints of Merle Travis, and Jerry Reed, bending and sliding until his notes take on an almost vocal quality.
As the title implies, "A Box Of Chocolates" is a sampler, the perfect showcase for Hurst’s versatility. There’s new grass ("Chocolate Chaise Lounge"), gypsy swing ("Mando Bounce"), and swampy funk ("C5 A La Mode"). In addition to those solid originals, Hurst scats his way through "Nine Pound Hammer" and shows delicate restraint on the traditional "Mary Of The Wild Moor".
Hurst’s list of guests is long and impressive—Sam Bush, Mark Schatz, Scott Vestal, Michael Cleveland, Viktor Krauss – and that barely scratches the surface.
Still, the most powerful moments on this album simply involve Hurst alone with his guitar.