|Time & Place|
|Saturday, April 29, 2017 @ 7:00 pm |
5200 Hampton Blvd.
Norfolk, VA 23462
|Military, Senior (60), or Student (w/ID)||$25|
|Child 10-17 w/adult||$10|
|Child under 10 w/adult||free|
The cool breezes of Maine’s northlands have flowed through the songs of David Mallett for more than four decades. His latest, Greenin Up, is a compilation of some re-recordings of his finest work. Released in conjunction with the Maine Farmland Trust, it is a celebration of rural life.
“Having grown up around country people and farmers, rural life has always been the wellspring for a lot of my best work,” Mallett said. “I was glad to be able to put some of my best ‘nature tunes’ in one collection and help draw attention to and to support such a worthy cause as the Maine Farmland Trust, which essentially helps prevent valuable farm land from being turned into housing and strip malls. I’ve always wanted to revisit some of my old stuff, like ‘April’, and present a more ‘seasoned’ version of some of these songs.”
Mallett includes three new songs — “Fat of the Land”, “Dogs & Horses” and “Beautiful Rose” — along with re-recordings of his better known tunes like the American classic “Garden Song,” “Summer of My Dreams,” “I Knew This Place”, “Good Times” and “April.”
Greenin’ Up is the culmination of a musical career that began when Mallett was eleven years old, playing in a country and folk duo, The Mallett Brothers, with his older brother, Neil. “We played everything from old songs like ‘Carry Me Back To Old Virginny’, which is the only song that my father ever sang,” recalled Mallett, “to stuff that was on the radio, Johnny Cash to Peter Paul and Mary. to Sinatra. We had our own tv show in the sixties for a few seasons, made a few 45s and did a lot of nice shows. It was a great way to grow up in show business.”
As an acting student at the University of Maine, Mallett discovered the music of singer-songwriters like Gordon Lightfoot and Bob Dylan and soon began writing his own songs. “Up until that point, I thought of myself as a singer,” he said. “In college, everybody that was singing also wrote. I realized that that was what I wanted to do. I was a theater major. I felt short-changed that I had to speak someone else’s words. I felt that, if I became a singer-songwriter, I could sing my own words.”
Honing his craft as a soloist, Mallett increasingly expanded his repertoire with original tunes. “When I was in my twenties, playing in bars,” he remembered, “I would sprinkle in a few of my own songs. They blended in pretty well. By the time that I was 26 or 27, I was singing all my own songs.”
A turning point in Mallett’s career came in 1975, after he discovered that Noel Paul Stookey of Peter, Paul and Mary had moved to Blue Hill, Maine and was opening a recording studio. “That was back in the days when a recording studio was sort of like Oz,” he said. “It was a foreign land. I wanted to see his studio, so, I called him up and said, ‘Can I come visit?’” Within six months of their initial meeting, Mallett found a true mentor in Stookey. In addition to producing Mallett’s first three albums, Stookey helped to bring his tune, “The Garden Song”, to the attention of influential folksinger Pete Seeger who included it on his 1979 album, “Circles And Seasons.” John Denver soon recorded the song and took it to the top ten in the adult contemporary charts in the late 70s.
“The Garden Song,” recorded hundreds of times and performed around the world, has gone on to find its place amidst the lexicon of American folk songs. “It was never that big a hit,” said Mallett, “never blared at you, ten times an hour, on the radio. It’s gotten around but in a very human way, through the mouths of children, campfires and wedding ceremonies. I’m so proud to be associated with such a simple and beautiful thing.
“It’s like every kid in America and a lot over the world learns my song at one time or another.”
Touring the folk circuit for ten years and moving to Nashville in the late 80s Mallett continued to record and write new songs.
While in Nashville, with the help of veteran producer Jim Rooney, Mallett recorded a total of three records for Chicago-based Flying Fish Records and two collections for Vanguard and wrote songs recorded by Marty Stuart, Hal Ketchum, Emmylou Harris, Kathy Mattea, Alison Krauss and others.
Meanwhile his “Ballad of the St. Annes Reel” from his second album evolved into a folk classic played around the world. Since returning to Maine in 1995, Mallett has recorded two CDs for Rounder / Flying Fish in the 90s and tour nationally Canada and in the UK. He has performed at Wolf Trap, The Kennedy Center, The Newport Folk Festival, Prairie Home Companion, among many notable venues.
He has released 5 cds on his own North Road label in the last ten years, including Artist In Me (acclaimed by Associated Press as one of the year’s best records), Midnight on the Water (a live CD), The Fable True (in which he successfully explored the spoken word realm with his collection of Henry David Thoreau’s stories about his visits to Maine in the mid 1800′s with instrumental soundtrack). His 2009 release, Alright Now, was proclaimed “a masterpiece” by The Boston Globe.
Greenin’ Up continues this great body of work. Using a spare collection of musicians — with Michael Burd, Susan Ramsey, Mark Macksoud, Roy Clark, Rob Coffin, John Stuart and Luke, Will and Molly Mallett — the album provides the soundtrack of not only Mallett’s home state, but also farmers and agriculturalists across the country.
The 12 songs contained on Greenin’ Up further build on and support his reputation for having a storyteller’s naturalness and a poet’s intelligence. Although it is rooted in place, his music speaks to the essential things that move us all. Mallett knows the factory work, the field work, the memories of summer dances, the loves and losses, and the stunning incidents of courage and despair.
Named one of the most memorable “Mainers” in the millennium edition of The Bangor Daily News (along with Marshall Dodge, Andrew Wyeth, E.B. White, Stephen King, Edna St. Vincent Millay, and others), Mallett’s songs are filled with passion, evocative imagery, and a sense of the inevitable passage of time. The struggle of the common man and the loss of American towns and landscapes are the subject of many of his songs.
When he is not touring, the place where he makes his songs is in his writing room in an old farmhouse with a view across the field and a tintype of his great-great grandfather on the wall.
“I like to keep reaching out to touch the past,” he says, “to connect it with what’s going on now. To me music is one of the few things that is timeless…human emotion is one continual chain.”
Mountaintide is a pair of versatile musicians and songwriters with a contemporary acoustic folk blend all their own.
The seeds of Mountaintide were sown when multi-instrumentalist singer-songwriters Jim Newsom and Holly Bishop met in the spring of 2014 and began playing music together around southeastern Virginia. Their telepathic musical connection was obvious from the beginning. Within a year of that first meeting, the duo had recorded its first album, Dancing in the Sun, releasing it in June, 2015. Five months later, they released an album of children’s music, Away We Go.
The fourteen original songs on Dancing in the Sun reveal the duo’s diverse musical tastes and talents: From the fiddle-driven backporch bluegrass of "Hey Pretty Mama" to the soulful sunshine of "All Smiles;" the balladic folkiness of "460 West to Blacksburg," and the wistful beauty of "A Girl Can Dream;" the Hot Club conjuring of "If I Could Write a Song" and the sheer poetry of "Love the Expression;" from the angsty yearning of "Fifteen Minutes" to the affirmative potency of "What You Say You’ll Do."
Shortly after finishing Dancing in the Sun, the twosome began recording some of their original children’s songs. The resulting CD, Away We Go, came out under Holly’s name in November. The twelve original songs run the gamut from toddler playalong tunes like "Baby Signs," "A Clappa" and "Big Dog" to songs for all who are young at heart like "Outside on a Saturday" and the funky groove of "The Silly Dance." "Monster Stomp" turns ballet on its head when unexpected guests arrive. "Bear Country" is a mini-musical adventure that's fun to act out, or just listen to and enjoy. “Colors of the Rainbow” is a campfire singalong for the next generation.
Mountaintide draws its musical strength from the varied backgrounds of its two members:
Born in the Black Hills of South Dakota, Holly Bishop spent her teen years in Salt Lake City where she developed her multi-instrumental talents on violin, guitar and piano. She graduated from Belmont University in Nashville with a Music Business degree, and remained in Music City writing and performing until relocating to Norfolk in 2005. Well established as a teacher running a music and movement program called Little Rockstars for preschoolers, she reignited her passion for songwriting when she teamed up with Jim to form Mountaintide. She was a finalist in the 2015 Sea Level Singer-Songwriter Festival Emerging Artist Contest.
Jim Newsom is well known throughout southeastern Virginia. He spent most of his young life in the area, graduating from Suffolk High School and Virginia Tech. He's been a popular musician regionally since the mid-1970s; he is a highly regarded music writer and critic whose work has been published in the All Music Guide, PortFolio Weekly and VEER Magazine among many print and online publications. He has hosted programs on the local PBS and NPR affiliates for more than thirty years.
He first played music as a youngster after picking up the basics from his sister's piano lesson books. He subsequently drove his parents crazy banging out rock and roll on the family's living room piano. In high school, he bought a flute for $25.00 from a girlfriend in the marching band, and taught himself to play by listening to the recordings of Herbie Mann and Jethro Tull. He learned guitar from a Bob Dylan songbook. He's led rock, jazz and acoustic bands and is an award winning songwriter.
Touching on influences from the folk era and singer-songwriter genre to the classic soul music of Motown and Memphis with touches of rock, jazz and bluegrass thrown in for seasoning, Mountaintide’s harmonic stew is tasty and invigorating.
Jim Newsom — guitar, flute, vocals
Holly Bishop — guitar, violin, vocals